Months after the Waterless Flood pandemic has wiped out most of humanity, Toby and Ren have rescued their friend Amanda from the vicious Painballers. They return to the MaddAddamite cob house, newly fortified against man and giant pigoon alike. Accompanying them are the Crakers, the gentle, quasi-human species engineered by the brilliant but deceased Crake. Their reluctant prophet, Snowman-the-Jimmy, is recovering from a debilitating fever, so it’s left to Toby to preach the Craker theology, with Crake as Creator. She must also deal with cultural misunderstandings, terrible coffee, and her jealousy over her lover, Zeb.
Zeb has been searching for Adam One, founder of the God’s Gardeners, the pacifist green religion from which Zeb broke years ago to lead the MaddAddamites in active resistance against the destructive CorpSeCorps. But now, under threat of a Painballer attack, the MaddAddamites must fight back with the aid of their newfound allies, some of whom have four trotters. At the center of MaddAddam is the story of Zeb’s dark and twisted past, which contains a lost brother, a hidden murder, a bear, and a bizarre act of revenge.
Combining adventure, humor, romance, superb storytelling, and an imagination at once dazzlingly inventive and grounded in a recognizable world, MaddAddam is vintage Margaret Atwood—a moving and dramatic conclusion to her internationally celebrated dystopian trilogy.
An Amazon Best Book of the Month, September 2013: Margaret Atwood’s genius is fed by her appetite for synthesis: she sees every consequential cultural and tech trend (the realized and the possible) and spins them out into a near-future that’s both freakishly strange and horrifyingly plausible. MaddAddam concludes the trilogy she started with Oryx and Crake and The Year of the Flood, simultaneously set stories of the survivors (and the late creator) of a deliberately unleashed plague that’s left a few ragged stragglers—the fever-dreaming Snowman, remnants of a peaceful God’s Gardeners cult and eco-warrior MaddAddamites, psychotic escapees from the Painball arena, and humanity’s bioengineered “replacements,” the bizarrely placid Crakers—all bushwhacking through a trashed world of animal mash-ups (including some wicked-smart Pigoons). Depending on your outlook, she’s a scathing satirist, an alarmist, or an oracle. But the world she imagines feels near enough that you won’t soon forget it.
MARGARET ATWOOD, whose work has been published in over thirty-five countries, is the author of more than forty books of fiction, poetry, and critical essays. In addition to The Handmaid’s Tale, her novels include Cat’s Eye, shortlisted for the Booker Prize; Alias Grace, which won the Giller Prize in Canada and the Premio Mondello in Italy; The Blind Assassin, winner of the 2000 Booker Prize; and her most recent, Oryx and Crake, shortlisted for the 2003 Booker Prize. She lives in Toronto with writer Graeme Gibson.